There are many factors that take into account the value of art, such as fair market price, size, material, exposure, experience, critical recognition, and self-esteem. Among all the factors, the ladder is probably the most ignored, but still the most important one. What the artist deserves is exactly the same as what he deserves to do. How important is your art? What will we do to separate you from the arts?

Unfortunately, most artists are emotionally disadvantaged and can easily be separated from their work by praise. Most artists are willing to give their work to anyone who has an empty wall and a positive note. Although spells are great for the ego and serve as a wonderful motivatore, they do not outline the value of the artist's work. The first step in promoting product value is "Never stop". So if you never throw it away, how much do you pay for it? Simple to see how much you are

Most projects, especially the two-dimensional projects, have a size and material that is negligible compared to your time. The artist's lessons must be valuable resources used in each project. Think about your time the next time you take out the car for repair. Check out your account. Only one engineer made a six-dollar car in his car and paid a hundred dollars for the workforce. Time is money, and time as an artist is valuable. Think of other professions, such as attorneys, doctors, and therapists. In most of these professions, they do four or eight years of education, making most of their skills a year of inability to work and spend thousands of dollars for their time.

The artist can continually improve their whole life and include what they are exposed to in their art. For comparison, the artist's time is invaluable, but artists should also consider the market and have to pay a reasonable price. It's worth ten, twenty or fifty dollars an hour.

Set your own rate, then start watch your lessons. When you start the piece, note it in a journal. Please note the start date of the project and track the actual hours spent on the project every hour of the day. At the end of the project, download your lessons. Now there is a baseline shape from which to work. Like any other profession, labor is not the only determining cost on the bottom line. You should also consider how much time you have devoted to building your reputation. Do you have a gallery display? Galleries provide exposure. They also undertake any jobs sold due to exposure. The amount of commission must be calculated for the price you would like to receive. Did you get any prizes or took part in the competition? Competition provides exposure, and prizes boast of critical recognition of their work. How many jobs did you sell? Each time it is sold, consider raising the price in the next painting. If you make a sale, you're likely to make another. Every sale is a demand indicator, the more it is looking for your job, the more customers willing to pay the price. Do you have any work on collections? It does not matter much to Fannie's wall. The more prestigious the collection, the bigger the prestige is to rub your work. There are collectors who buy only when someone else has bought their work and makes the appeal appeal a part of a collection. These metrics do not have a set value, but as a business person they should keep active awareness of them.

Use the journal and continue the update. Occasionally check your successes and add your personal value to your work value. Always remember that your goods are goods, never sell.

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